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DRAWING THE WILD IN-BETWEEN
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Nade’s work walks the uneasy line between beauty and collapse. There’s energy in it, but it’s not neat energy — it spills, it fragments, it leaves edges exposed. Her practice draws from the overlooked corners: tangled hedgerows, scrappy wildflowers, the quiet decay creeping beneath everyday life.
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'This work makes my brain fizz with excitement!'
She works fast and loose, but it’s not careless. Every splintered ink line, every torn paper edge, is part of a deeper enquiry — where does beauty break down? Where does danger slip in unnoticed? Her sketchbooks are filled with raw, immediate marks, fragments of observation, and quiet evidence that nothing stays untouched for long.
'So exciting to see your dynamic artwork'
This isn’t art that sits still. It carries questions about survival, entropy, and the hidden violence in natural forms. You’ll find flowers, weeds, fragments of growth — but they’re not tamed or idealised. They’re tangled, sharp, sometimes bruised.
Nade’s recent work leans into these uneasy spaces — exploring how life frays at the edges, and how collapse often makes way for something new.
'An absolute joy to experience'
